The Real Life (working title)
Harold sat on his couch staring at
the tv. He had been sitting on the side of the couch, but because of the sag he
was now in the middle. The tv was playing something, but it was just noise.
Harold’s show ended some time ago and now he was just feeling…something. He
couldn’t quite place his finger on it. Nostalgia maybe, if it’s possible to be
nostalgic over something you’ve never had. The high of the day was always
watching whatever show epitomized the life that Harold wished he had. It didn’t
matter if it was a cop drama or a quirky sitcom. While he was watching he felt
connected, felt like he was a part of something greater. That feeling always
passed, and he ended up in the middle of the couch. It was a fitting metaphor.
The worst part of it all was that he didn’t even know what he actually wanted,
as long as it was different than what he had.
He
didn’t know why he felt so disconnected. He had friends—good friends that cared
about him—he had a girlfriend who he loved, or at least liked. He wasn’t a
social pariah or anything. It was just, during these times when he was alone
with his thoughts and even his imaginary friends had left him…well that was the
problem right there. His imaginary friends seemed just as real as his actual friends.
He cared about them just as much, empathized with them more even. It made him
wonder if his friends weren’t more real than made up characters, what was the
point of being friends? The truth of it was simply, he was disappointed with
life. He didn’t want new friends, he wanted a new Harold. He wanted to create,
to contribute, to matter. He was a fine young man, but fine young men often
turn into fine old men who never made a real difference in anyone’s life. He
needed to be important. He needed to feel important.
It was
time to end tonight’s self-pity. Time for Harold to get up from the sagging
couch and get on with life. Get busy living or get busy dying. It was one of
his favorite lines, and he used it when he needed to get out of one of these
funks. He used it too often. He never really did anything with it. He just
repeated it and got off the couch. To top it all off, he didn’t feel a renewed
vigor for life or even a desire to change anything. Amy was coming over and he
had to clean up a little before she got there. This was the way of his life. It
was a good life. Just, sometimes, he felt it wasn’t for him. Anyway, he figured
he’d better get busy cleaning or he wasn’t going to get any rest tonight.
Amy
arrived right on time, ready for dinner and a show. They ate a delectable meal
of macaroni and cheese sprinkled with bacon and settled down to their usual
ritual of some new reality show peppered with broken conversation. Normally
Harold would just zone out during all of this and hope they could get to sex
quick so he could go to bed and start his daily tedium over again. This night,
however, he just couldn’t handle it. Some girl was yelling at somebody else on
the show and he just couldn’t take anymore. He had to say something.
“Amy, do you think we could watch something else tonight?
I can’t take this anymore.”
“It’s just one show. You can handle one show. ”
“We watch this show all the time though. I just want a
change today.”
“We haven’t watched this show for two weeks.”
“I swear we watched this yesterday.”
“No. Yesterday we watched the Kardashians.”
“What’s this one?”
“This is Jersey Shore.”
“What’s the difference? It’s all just girls with fake
boobs yelling at other girls with fake boobs.”
“It’s more than that. You just don’t get it ‘cause you’re
a guy.”
“Listen, I don’t want to fight. I just want to watch
something good for a change.”
“So now I have bad taste in shows? Is that what you’re
saying?”
“I didn’t say that, but since you brought it up I'll second it. If there are none opposed...motion carries!”
“Don’t make fun of me or my shows. This is at least
better than the god awful cheesy sitcoms you watch. The jokes aren’t even
funny.”
“The jokes aren’t funny to you because you’re supposed to
use your brain a little to understand them.”
“So now I’m the one with the problem?!”
“As a matter of fact, yes! You have a problem! The whole
god damn country has a problem! And I’m sick of living in the middle of this
shit!”
“Shit?! What shit?! You think the stuff I like is shit?!
You think I’m shit?!”
“Not you. Just your world.”
“What do you want? You want your perfect little sitcom
life? Well guess what. It isn’t real. My world might be full of shit, but at least
it’s real!”
“You call that real? You call that life? You know what;
you can keep your fucked up reality? I don’t need it anymore. I’m leaving.”
It never occurred to Harold that
since they were in his apartment, Amy should be the one to leave. It didn’t
matter to him. He wanted to be gone, not just from her, from here. From this
life. He needed to get out, but as he packed it occurred to him that he didn’t
know where to go. This didn’t deter Harold for more than a moment as he told
himself that anyplace was an improvement. He made his way to the door when Amy,
who sat sullenly watching orange skinned buffoons, decided to get one last jab
in.
“Where you going? Off to hang with Dick?”
Dick of
course, was short for Richard who wasn’t in fact a real person. But barring
that minor detail Amy had actually come up with a really good idea. “Matches”
was shot in Los Angeles, and Harold had always wanted to visit the set, so why
not now? Maybe he could actually find his way onto the show in some way. Had he
thought it through in realistic terms he would have turned around, kicked Amy
out of his apartment, and gone on
with his life. Tonight, however, he was only thinking about a new life. A life
by the ocean, hanging out with his favorite people, just living life. A real
life.
He
hopped in his Jetta and headed West.
Southwest really, but he didn’t concern himself with the actual
direction. He was going to live his dream. He had some money in his wallet, not
a lot, but enough to get him through Colorado and Utah; at least to Vegas. He
had money in his bank—he had a good job, but leaving it behind didn’t bother
him in the least. In his mind there was only one solution to his lackluster life.
He was going to LA to find his friends. He was going to be friends with Richard
and Beau and Jeff and Laurie, and not just fake friends anymore. Somewhere deep
down in the back of his head he knew none of them were real people, but that
didn’t matter. He knew what he wanted and he was going to get it.
Yes. I want to read ch.2--
ReplyDeleteI'm not sure if you were looking for an in depth critique, but I feel like there's a lot in this piece, so here are my thoughts, for what they're worth.
ReplyDeleteThe situation your protagonist finds himself in is so pervasive today that you're setting up a story with an instantly intrigued audience. As Joe Purdy puts it, the idea that, "we can just get in my piece of shit car and drive all night till the gas runs out", or whatever your idea of an escape of the life you find yourself in, is so romantic and appealing that you're going to find a lot of readers who have already started this fantasy in their minds and are anxious to see how it unforlds.
The line "He couldn’t quite place his finger on it. Nostalgia maybe, if it’s possible to be nostalgic over something you’ve never had." is well written and I completely relate to it.
Also, "Shit?! What shit?! You think the stuff I like is shit?! You think I’m shit?!” is such a perfect conveyance of the girl's self centered approach to the relationship and is realistic in how a fight between two immature people over something that isn't the real problem would sound.
The first two paragraphs I think could use some revision and I'll tell you why. What they convey is what you know as the author, but I think they're a little too direct for opening paragraphs. They answer questions the reader hasn't had a chance to ask yet.
Also, to me they are a little wordy. I had some very good advice given to me once about quality writing. Eliminate all verbiage that is not absolutely necessary to paint the picture. This is not to say a piece can't be lengthy , but condensing two sentences to one, a phrase for a more powerful, direct word, even eliminating a full paragraph at times can make a story pack a lot more punch.
That being said, your dialogue is strong, flows naturally and it is clear that you have a statement (or several) to make with this piece Anxiously waiting for the next installment. : )
Lindsay, thank you. That's exactly what I need.
ReplyDelete